Osage artist discusses family and art
Osage artist Addie Roanhorse spoke for the first ArtNight of 2019 on Jan. 22 at the Bartlesville Art Association’s design center.
Roanhorse, who works for the Osage Nation as a graphic designer and photographer, gave a slide presentation highlighting the breadth of her work in graphic design, painting, photography and mixed media. There is too much information to share in one column so this will be part one of a four-part series.
Roanhorse began with the importance of family.
“My family is obviously number one for me. My family is why I’m an artist. The ‘Killers of the Flower Moon’ book — I have a relation in the book,” Roanhorse said.
Slides provided examples of her work in progress and completed pieces as she spoke.
“Family is the most important thing as an Osage. We’re always taught that our elders and our children are the most coveted thing. They’re precious, and we can learn from both, so, of course, I would start out with my family.
“My mom, her name was Gina Gray. She went to the Institute of the American Indian Arts, and she also went to CalArts,” Roanhorse said.
Roanhorse grew up mainly in Santa Fe, N.M., but traveled back to Pawhuska to see grandparents.
She moved back to Oklahoma to finish her degree at Rogers State University in Claremore. When her mother was diagnosed with cancer, Roanhorse moved in with her to care for her. Gina Gray died three months later.
“I believe everything happens for a reason. … I would never in a million years think ‘oh, I live in Pawhuska,’ but here I am living in my mom’s house.
“It was kind of therapeutic in a way because I got to work on the last projects in college. It was bittersweet. …”
Upon graduating, she went to the Osage Chief and pointed out that the tribe had no artistic position — no graphic artist. Chief Standing Bear agreed there was a need.
“He said, ‘when do you graduate?’ I said, ‘on Saturday.’ He said, OK, be here Monday, and I started work on Tuesday. They literally created the position for me, and I’ve been there ever since,” she said with a smile.
She showed slides of her mother’s art. “She did watercolors,” Roanhorse said. “She did a lot of warriors. … Now, I actually do a lot of strong women. … She always represented parts of our culture — different bands and clans and just kind of brought our people into our artwork. That’s a huge indicator of my artwork too. It’s who I am. If I were a writer, I’d be writing about the Osage people and our culture.”
She described her daughter, Anya, 11, as the Tiny Indian. “That’s her nickname,” she said.
Roanhorse showed her work, “Deer Woman,” at the SantaFe art market. She got a ribbon and sold out and this was at age 10. Anya has also taken up photography.
“The local newspaper pays her $40 per print so any big event she’s always out there being the on the beat person.”
“This is [Anya’s] latest venture. She’s doing embroidery on canvas. She put a little bit of black paint on the canvas and said, ‘it’s mixed media.’ So, she’s learning, but I’m super proud of her.
“My brother Danté, he’s an artist as well. He’s an oil painter. It’s almost like if you took my mom’s artwork and split it in two, I took one side, and my brother took the other. His artwork is very — it’s dreams.
“He’s a combat vet from Afghanistan, and we’ve had him home now for four years so it’s really nice that he’s started to paint again. I believe Pendleton Blanket has picked up this piece,” Roanhorse said showing a slide of the design.
Her grandfather, who passed away when she was about 10, was a full-blood Osage.
“Everything I remember about him is just so vivid. Everything he taught us about Pawhuska, our culture and being a small business owner. He was a really great guy.”
She showed a photo of him in regalia during the In Lon Shka dances held each June in Pawhuska.
Her grandmother was mostly Osage but a little bit French, said Roanhorse.
“Her mother was Grace Roan and Grace’s father was Henry Roan. … that’s the connection to Henry.”
He was one of the Osages written about in the book “Killers of the Flower Moon” by David Grann.
“We went to the book signing of David Grann in Pawhuska … he looked up at me and said ‘…I just want you know there are going to be things in this book you probably have never heard,’ and he was absolutely right. It took me several months just to get through the first section of it. I’m glad the story is finally out there.
She saw a friend who had read the book and said, “I’m sorry. … Being just in Bartlesville, this close, and nobody’s ever talked about this. No one knew about this. …”
Recently, while serving as the Osage Museum’s acting director, she received questions about her great-great grandfather.
“It’s uncomfortable sometimes … because people want to know uncomfortable things about what happened. … I want to educate them, but it’s gone a little too far sometimes with the questioning. I just try to be polite, and do the best I can.”
Next week’s column will focus on Roanhorse’s paintings.